Resumo

Trazemos a problemática do planejamento da performance em música de câmara a partir da experiência artística dos autores em duo de violões. Considerando o alto nível de performance de duos brasileiros, trouxemos entrevistas - de projeto de pesquisa autoral - com os duos: Duo Assad, Duo Barbieri-Schneiter, Brasil Guitar Duo e Duo Siqueira Lima, buscando coletar demandas e estratégias de estudo para a performance camerística. Nosso objetivo foi oferecer estratégias de estudo para a performance musical camerística a partir de uma aproximação entre os dados das entrevistas e os pressupostos teóricos adotados sobre o planejamento da performance - Barros (2008), Davidson; King (2004), Gabrielson (1999), Goodman (2002) e Ray (2005). Concluímos que as estratégias trazem ganhos na efetividade dos ensaios, na compreensão das obras estudadas e na consolidação coletiva de uma interpretação musical desejada.

Singularities in the preparation of chamber music performance: Strategies studies based on research with Brazilian guitar duos

We bring forward the discussion on the performance planning in chamber music from our artistic experience in guitar duo practices. Considering the high level of performance of Brazilian guitar duos, we conducted interviews - from the author’s masters research project - with the duos: Duo Assad, Duo Barbieri-Schneiter, Brasil Guitar Duo and Duo Siqueira Lima, seeking to collect demands and study strategies in chamber music performance. Our goal was to offer study strategies in chamber music performance based on an approach between interview’s data and theoretical assumptions about performance planning - Barros (2008), Davidson; King (2004), Gabrielson (1999), Goodman (2002) and Ray (2005). We conclude that the study strategies lead to improved effectiveness of the essays, knowledge of the studied works and in the collective strengthening of a desired musical interpretation.