Resumo

Este texto apresenta uma resenha crítica do livro Music, Analysis, Experience: New Perspectives in Musical Semiotics, editado por Constantino Maeder e Mark Reybrouk e publicado em 2015. Tal livro traz uma coletânea de artigos que abordam a análise e o entendimento do fenômeno musical através do viés da semiótica, indo além da análise puramente do texto, e buscando fora dele elementos essenciais para a construção do significado musical. Através deste panorama é possível avaliar os novos caminhos e possibilidades metodológicas no campo da Análise Musical, bem como promover a reflexão crítica sobre esses caminhos.

Critical Review of the Book Music, Analysis, Experience: New Perspectives in Musical Semiotics

This paper presents a critical review of the book Music, Analysis, Experience: New Perspectives in Musical Semiotics, edited by Constantino Maeder and Mark Reybrouk and published in 2015. This book brings a compilation of papers about musical analysis and the understanding of the musical phenomena through a semiotic bias, going beyond the analysis of text to search for meaningful non-textual elements in order to construct musical meaning. Through this panorama, it is possible to evaluate new paths and methodological possibilities in the field of music analysis, as well as to provide a critical review of these paths.