Resumo

Este artigo pretende apontar, através do uso de técnicas de análise musical, a maneira pela qual o compositor Claudio Santoro buscou, em seu Prelúdio n. 2 para violão, uma escrita atonal idiomaticamente natural ao instrumento.

Prelude N. 2 for Guitar by Claudio Santoro: The Pursue of an Idiomatic Instrumental Writing Demonstrated Through Musical Analysis

This paper has the goal of showing, through the use of musical analysis techniques, the path that composer Claudio Santoro took in order to write atonal music wich is idiomatically natural for the guitar in his Prelude N. 2.