Resumo

Este artigo aborda o uso de interfaces físicas em performances de live electronics. Nesse contexto analisamos a emergência do conceito de “interface como instrumento musical” e tratamos das consequências, tanto composicionais quanto estéticas, das diferentes abordagens no uso destas tecnologias na criação e na performance de música eletroacústica em tempo real.

The Use of Physical Interfaces as Instruments in Live Electroacoustic Music

This paper deals with the use of physical interfaces in live electronics performances. In this context, we analyze the emergency of the concept of “interface as musical instrument” and consider the consequences, both compositional and aesthetic, of the different approaches to the use of these technologies in the creation and performance of real time electroacoustic music.