Resumo

Compositores do início do século XX encontraram meios de transcender a rítmica métrica, em formas de abordar a dimensão temporal da música que reverberam experiências rítmicas anteriores à consolidação da métrica e da harmonia tonal. Percorrendo esses momentos históricos da música, revelam-se maneiras pelas quais se entrelaçam no devir histórico o tempo e o pensamento musical. Exemplos de partituras atestam diferentes esforços de transcender a rítmica e a métrica fraseológica.

Time, rhythm and musical thought

Composers from the beginning of 20th Century found diverse ways to transcend metrical rhythm. These approaches to the temporal dimension of music would recall rhythmic practices from an era before the consolidation of musical meter and tonal harmony. As one goes throughout these moments of music history, different ways in which time and musical thought were intertwined reveal themselves. Musical excerpts from scores reveal different efforts in order to transcend rhythmic and metric phraseology.