Resumo

Este artigo pretende analisar aspectos rítmicos na obra Areia II, do compositor Alexandre Lunsqui. Analisamos as diversas influências rítmicas que ocorrem na obra, sejam elas vindas do repertório erudito, sejam oriundas de manifestações musicais externas a este repertório, como a música tradicional africana. O artigo mapeia as figuras rítmicas usadas na obra, contextualizando- as dentro das estratégias criativas empregadas pelo compositor.

Rhythm and cultural intersections in Areia II, by Alexandre Lunsqui: influences in his compositional process

This article intends to analyze rhythmic aspects in Areia II, by composer Alexandre Lunsqui. Whether they come from the classical repertoire, or from musical manifestations external to this repertoire, such as ethnic music, we analyze the different rhythmic influences occurring throughout the composition. The article maps out the rhythmic figures used in the work in relation to the creative strategies employed by the composer.