Resumo

O presente trabalho propõe uma investigação acerca da missa composta pelo padre José Mousinho após o Concílio Vaticano II (1962-1965), que recebe tal denominação. Busca-se analisar particularmente o emprego do tema do Hino Nacional brasileiro à luz das reformas conciliares que propunham a adequação da liturgia à índole de cada povo. Recorrendo a Joël Candau, os dados obtidos revelam uma menção à grande memória organizadora nacional, porém sem uma clara intenção de assimilação de elementos musicais brasileiros.

Brazilian National Anthem at the Missa Solene Vaticano II [“Second Vatican Council” Solemn Mass] by José Mousinho: A Proposal of Approach from the Strands of the Post-Council Catholic Liturgical Music

The present paper proposes an investigation about the mass composed by the priest José Mousinho after the Second Vatican Council (1962-1965), which receives such denomination. It is sought to analyze in particular the use of the theme of the Brazilian National Anthem subject to the conciliar reforms that proposed the adequacy of the liturgy to the characteristics of each people. Resorting to Joël Candau, data obtained reveal a reference to the national large organizing memory, but without a clear intention of assimilation of Brazilian musical elements.