Resumo

This paper discusses the influence of hand drawing techniques in my work for toy piano. It is known that composers often respond expressively to ideas and draw compositional strategies from other domains of life, for example, the mathematical proportions of architecture on some compositions of Guillame DuFay, Peter Maxwell Davies and Eve Duncan. For me, a chance comment from an artist friend, Deanna Petherbridge's book, The Primacy of Drawing: Histories & Theories of Practice (2010) and Elizabeth Cooper's botanical watercolours of the Australian rainforest tree Stenocarpus sinuatus (Firewheel Tree) offered ideas and techniques for several works for toy piano, and piano and toy piano (one player). While my musical response to hand drawing techniques is largely an expressive response, there is an element of trying to adapt the drawing techniques in a way similar to how artists use them, but in sound.