Resumo

O presente artigo discute a performance do trompetista Márcio Montarroyos em função da utilização dos dispositivos de delay e wah-wah em seu solo improvisado na música Hey bicho, vamos nessa!, gravado no disco Stone Alliance (1977). Buscou-se investigar de que forma o músico manipulou os referidos dispositivos e os desdobramentos por ele alcançado no referido solo.

Considerations about the performance of the trumpet player Márcio Montarroyos in the songHey bicho, vamos nessa!, recorded for the album Stone Alliance (1977): main musical characteristics produced by the use of electronic devices of delay and wah-wah in his improvised solo

This article discusses the trumpet player Márcio Montarroyos's performance as a result of the use of delay and wah-wah devices in his improvised solo in the song Hey bicho, vamos nessa!, recorded for his album entitledStone Alliance (1977). Our aim was to investigate how the musician employed such effect devices and the results he reached in his improvised solos.