Resumo

Este artigo aborda algumas das obras mais obras significativas para piano de Vieira Brandão (1911-2002) sob a ótica da intertextualidade. Tem como objetivo estabelecer relacionamentos entre os gestos musicais da Suite Mirim e os 4 Estudos com obras de Villa-Lobos, Guarnieri e Nazareth, entre outros. As análises se baseiam na teoria de intertextualidade de Bloom (1991), Straus (1990) e Korsyn (1991). O significado emerge através dos gestos e permite que, pianista e compositor tornem-se agentes equivalentes.

Musical Intertextuality and the piano works of Vieira Brandão

This text approaches some of the most significant piano works written by Vieira Brandão (1911-2002) through intertextual lenses. Based on Bloom (1991); Straus (1990) and Korsyn (1991) the analytical premises establishes relationships between Brandão's salient musical gestures such as the ones found in Suite Mirim and 4 Estudos and shared by well known Brazilian composers such as Villa-Lobos, Guarnieri and Nazareth. Meaning emerges through gestures and enables pianist and composer to achieve a level of mutual partnership.